Showing posts with label Academic Margins. Basic Writing Pedagogy. Show all posts
Showing posts with label Academic Margins. Basic Writing Pedagogy. Show all posts

28 October 2008

Shaughnessy, you and your basic writing scholar friends twist my brain

“On the Academic Margins: Basic Writing Pedagogy” by Deborah Mutnick

Mutnick’s article on remedial courses/remedial writing instruction is interesting. She moves effectively through the start of basic writing instruction to the considerations instructors and administrators need to think about present day. While her article highlighted key players and their contributions, I felt left with more questions than answers from this survey and history.

First and foremost, in all the readings we’ve read for class, including this one, I don’t think that basic writing has ever been defined. As a teacher, I would like to know if my composition classroom falls into the basic writing category Mutnick discusses. The lack of a definition leaves teachers, who are new to this pedagogy, on the outside. While I’m sure this omission was not on purpose, I wonder if this is how basic writing students feel as they enter into academics. Additionally, I wished Mutnick had defined Open Admissions students. While I have an idea of who they are, a definition would have been helpful.

Mutnick sets up the essay’s journey through basic writing by first discussing Mina Shaughnessy, who is a leading scholar in this pedagogy. Shaughnessy’s points are thought provoking to consider. I found Shaughnessy’s comment on the decline of literacy of the affluent most interesting (Mutnick 184). I never considered that the decline of literacy in the upper echelons of society could cause literacy to become a privilege rather than an entitlement. Firstly, if literacy is to be an entitlement, why are there still large masses that are illiterate? Secondly, is literacy for the affluent still on the decline? In today’s society, literacy (as far as reading maybe even writing) may be viewed as declining, but literacy in other areas (media/visual—which is a newer definition of literacy) is probably on the rise. But is this (traditional literacy) decline only affecting the affluent? And how does the decline in the more affluent populations affect the “traditionally illiterate”? Does it? Furthermore, how does the rise in newer literacies affect literacy overall? Shaughnessy may have written her pieces years ago, but in a new light, new time; I believe they become relevant again.

Continuing with Shaughnessy, Mutnick discusses her article Errors and Expectations. This discussion also raised a few questions for me. Based on her (Shaughnessy) experience at CUNY, she developed a theory that “errors made by basic writers are a key to their development as writer” (Mutnick 186). My question is, does Shaughnessy mean that if the error was a certain type of error then the writing was at a certain point as a writer? Or diagnosing the error patterns would be the key for the writer to move past those errors? I think only further reading might help answer these questions. Another point from Shaughnessy was that,
Errors represent the writer’s attempt to systematize language, to approximate the standard written code in the absence of adequate instruction and practice. The teacher’s responsibility, therefore, is to understand the logic of the writer’s errors in order to untangle the syntactic and grammatical knots make in the effort to write correctly. (Mutnick 186)
While I understand the basic premise of this point, I am again left with a question. If a teacher looks at the errors, to understand the logic of the writer, is she looking at context? If the context is being addressed, is the teacher still looking for errors? Should she be? Perhaps I do not understand Shaughnessy’s point all that well.

As Mutnick progresses with her article, I found a few more points that raised questions for me. Why would Bartholomae and Petrosky assume that academia is “an ideologically neutral zone”? (Mutnick 191). Is this assumption based off a view of idealism and academics? Another question arises from Brodkey’s statement “To teach is to authorize the subjects of educational discourse” (qtd. in Mutnick 193). In this case, does Brodkey’s authorize mean prescribe or assign? If yes, does this limit a basic writer in any way, if a teacher is to follow this notion? Then again, perhaps the “authorization” empowers basic writers to explore educational discourse and transcend a student’s background.

Mutnick’s essay yielded plenty of food for thought. While I’m not sure if my questions can be answered via our class discussion, I’m sure that they will help me think about (further) composition and the pedagogies that shape it. [You know pedogogies just made me think of the work hoagies.]

24 October 2008

YOU have been specially selected...

Dear Marginalized Citizen,
You (yes, YOU!) have been specially selected to receive a free gift from the ACME Social Barriers Company. Our Super Duper Writer's Block, weighing approximately one ton, was constructed using only the finest products from the local quarry, mixed with a smattering of marble to give it that extra shine, and lovingly bonded with the most durable cement on the market. (No assembly required!) This is just our humble way of saying Congratulations! for your tenacious inability to overcome your struggles for "inclusion... and equal opportunity." (p. 183)

Here at ACME, your business is our business; we've watched your dreams unfold and completely disintegrate since childhood! Wow!

While we have your attention, we'd like to tell you about this month's special. For the price of simply allowing society to continue to label you as a "low achiever"(192), you get a beautiful glass ceiling (in clear, beveled or tinted). These durable ceilings are completely ambition-proof, and come with a lifetime guarantee. Pick yours up today and get a free bottle of Windex !

Thanks for your patronage,
ACME Social Barriers
"Keeping folks on the fringes for over 20 years..."

****


To: ACME Social Barriers

Dear Sir or Madam:
I arrived home from my basic writing class at college to find your delivery of one (1) very large writer's block which was sitting in the middle of my living room. While I appreciate the... thought... (?)... which went into this item, I am afraid I have no interest in it.

I will readily admit that there was a time not too long ago when I certainly would have appreciated the implications of such an item. Having had teachers in my early years who saw my writing errors only as indications of suboptimal intelligence, I became highly discouraged. For awhile, I just gave up. So then I got labeled not only as unintelligent, but as lazy.

However, thanks to the work of folks like Mina Shaughnessy, and teachers who take time to understand me (and not just my work), I no longer feel that I qualify for your gift. Sure, there will be times when I will undoubtedly have difficulties with my writing. But doesn't everyone? At least now I know why, and I know it's not just me. Shaughnessy insisted that people like me -- what you might call "basic writers" -- have the same potential as anyone else. I'm educable! (185) Also, I discovered that the way I was previously taught could be a factor in my struggles now as a writer. Sondra Perl did a study back in '79 where she found that "overattention to editing undermined the ability of unskilled college writers to compose fluently." My current instructors have seen that the particular errors in my writing reveal that I am cognitively sound, thoughtful and intelligent. (186) I have been enjoying my basic writing class. Here, we read and write with enhanced attention to meaning and purpose. We actually discuss and analyze texts. (191).

I'll admit it's been tough going to school. I not only have to acclimate myself to the culture of the university, but I have to undergo a shift in my vernacular, and I've had to leave some of my friends behind from my old neighborhood. (192) Still, all things considered, I'm doing just fine.

Please send someone out at your earliest convenience to pick up your Writer's Block, and remove me from your mailing list. I am no longer a marginalized citizen, but will sign off as...

A Basic Writing Success Story